Jatziri’s XV Lighting Breakdown
For this shoot, the goal was clear. We wanted something different. Something graphic, intentional, and cinematic. Not accidental.
Instead of forcing light onto the scene, we leaned into what the environment was already giving us and used flash only where it mattered.
The foundation of this image was ambient light first.
Step One: Expose for the Environment
The sky was already doing something interesting, so the first decision was to expose for it. I dialed in my settings so the sky held its color and drama, allowing the rest of the scene to naturally fall into silhouette.
At this stage, no flash was involved. This step is about deciding the mood before adding anything else.
If the ambient exposure is not right, no amount of flash will fix it.
Step Two: Decide Who Needs Light
Not everyone in the frame needed to be lit.
That decision was intentional.
The goal was to guide the viewer’s eye, not to evenly light the entire group. Jatziri was the focus, so she was the only one who needed additional light.
Flash was used as emphasis, not fill.
Step Three: Introduce Flash With Purpose
Once the ambient exposure was locked in, we added flash selectively. The light was held as close to the subject as possible without entering the frame. Keeping the light close helped maintain control and prevented the scene from flattening.
The flash was not meant to overpower the ambient light. It was there to subtly separate Jatziri from the silhouette while preserving the overall mood.
Final Touches in Post
In post production, I refined the silhouette slightly to make it feel crisp. There was some light falloff in camera, so this step was about polishing, not rebuilding the image.
The goal was to keep the silhouette clean and intentional, not harsh or artificial.
 
Camera Settings
50mm
f/2.8
1/200
ISO 1250
6800K
 
This setup works because every decision has a purpose.
Expose for the environment first
Decide who actually needs light
Use flash to guide the eye, not to light everything
Silhouettes do not have to be accidental or rushed. When done intentionally, they become some of the strongest storytelling images of the day.
If you try this approach, slow down and make one decision at a time. Let the scene tell you what it needs.
This post is an excerpt from our weekly educational newsletter, where we share real world shoots, lighting breakdowns, and creative process notes from our work. If you enjoy this type of behind the scenes education and want these delivered straight to your inbox each week, you are welcome to join our newsletter and learn alongside our photo community.